{"id":1294,"date":"2026-09-02T17:15:11","date_gmt":"2026-09-02T15:15:11","guid":{"rendered":"https:\/\/zine-with-no-name.de\/zwnnblog\/?p=1294"},"modified":"2026-09-03T10:16:24","modified_gmt":"2026-09-03T08:16:24","slug":"outstanding-tour-eu-2026-lovebites-live-in-vienna-tilburg-and-paris","status":"publish","type":"post","link":"https:\/\/zine-with-no-name.de\/zwnnblog\/outstanding-tour-eu-2026-lovebites-live-in-vienna-tilburg-and-paris\/","title":{"rendered":"Outstanding Tour EU 2026 – LOVEBITES live in Vienna, Tilburg and Paris"},"content":{"rendered":"\n

Nowadays, I can count the number of artists I\u2019m really interested in seeing\/hearing live probably on less than two hands. As far as metal bands are concerned, Lovebites are at the very top. Unfortunately, I first discovered them about two weeks after they had finished their first European tour in 2018 (and played at a venue not too far away from where I live) and I had to wait until their European tour in 2024 to finally see them live for the first two times. When they announced their European tour for 2026, I decided to attend three concerts, the ones in Vienna, Tilburg and Paris.<\/p>\n\n\n\n

The concert in Vienna was their first one of this tour and involved the longest trip for me. The train ride to Vienna took about 10 \u00bd hours (including a delay of half an hour). The high speed train which was supposed to go to Munich already ended at Frankfurt Airport, after it had crashed into two deer and a sensitive part at the front of the train had been damaged, thus I had to take another train from there to Munich and arrived there later than originally planned, but since the train from Munich to Vienna I had booked was also delayed, I still managed to catch it \u2013 might have been the first time I was happy that a train was delayed!<\/p>\n\n\n\n

Because of the long duration of the train ride, I had decided to travel to Vienna already the day before the concert. On the day of the concert, everyone else in my place might have started a sightseeing-tour after having breakfast, especially since there might have been a \u2013 though rather slim \u2013 chance of running into one or more members of Lovebites, as they tend to do a lot of sightseeing abroad when time allows. But being the AFOL (Adult Fan of Lego) that I am, I paid a visit to the local Lego-store instead (though I didn\u2019t find anything of interest). And afterwards, I went to the Vienna International Centre, which is one of the four global headquarters of the United Nations. There, I went to the shop of the United Nations Postal Administration in order to buy some stamps for my collection, but also for postcards to friends which I sent off from this place, because this allowed me to to use stamps issued by the United Nations Postal Administration in Vienna instead of Austrian stamps. Apart from making the postcards more special \u2013 also the cancellation mark says \u201cVereinte Nationen\u201d instead of \u201cWien\u201d -, I found the stamps I used more beautiful than the Austrian stamps I could have used. But I digress.<\/p>\n\n\n\n

Just like for the two concerts two years ago, I had bought VIP-upgrades for the concerts on this tour. While the ticket-prices for the concerts were quite reasonable and ranged from 23.50 Euros for Tilburg to 33.00 Euros for Vienna, the VIP-upgrades, which had to be bought in addition to the concert tickets, cost (including fees) about 195.00 Euros each. As Mr. Sugiyama, the guy who accompanies them on their overseas tours, recently explained in a stream on the occasion of Lovebites\u2019 10th anniversary, without these VIP-upgrades, Lovebites probably couldn\u2019t afford doing these tours at all because of the weak yen, the expenses they have and the rather small venues they still play overseas.<\/p>\n\n\n\n

Since the check-in for those with VIP-upgrades already began at 5 pm, I left my hotel heading for the venue called Flex half an hour before. It looked like I was nearly the last in line of those with VIP-upgrades. Still we had to wait for more than an hour until we finally got into the venue. Inside, we were told that the VIP-passes and signed posters, which were part of the VIP-package, had been shipped to a wrong address and therefore couldn\u2019t be handed out at the venue, but we would receive an e-mail asking us to confirm our addresses so the missing items could be sent to us after the end of the tour. Those who had VIP-upgrades for other shows as well (I wasn\u2019t the only one), got their VIP-passes and signed posters for the show in Vienna handed out at one of the other concerts.<\/p>\n\n\n\n

The fact that the VIP-upgrade also granted early access to the merchandise booth wasn\u2019t that much of an advantage, since there wasn\u2019t much to choose from. I bought one of the two different tour-shirts being available. Apart from that, a baseball-cap was available and the new album, of which I had already ordered the special \u201cMade in Heaven\u201d-edition from Japan when it came out in February because of the live-Blu-ray it included.<\/p>\n\n\n\n

Since the stage wasn\u2019t that big and I was one of the last with a VIP-upgrade to get inside the venue \u2013 I guess that up to 50 of those upgrades were available for each show \u2013, the first rows in front of the stage were already taken, but on the left side in front of the stage, there was a platform a few steps up, from which I got a good view over the entire stage.<\/p>\n\n\n\n

I read somewhere that the venue had a capacity of about 1,000 people, but it was far from being sold out. Shortly after 8 pm Judas Priest\u2019s cover of \u201cDiamonds and Rust\u201d (Miyako has done a beautiful piano-arrangement of this song on her highly recommendable piano-EP \u201cEtude Op. 25\u201d, which came out last year) announced that Lovebites were about to enter the stage and they began their set with \u201cThe Castaway\u201d, the opening track of their new album \u201cOutstanding Drumming\u201d… oops, I mean, of course, \u201cOutstanding Power\u201d. \ud83d\ude09 Especially the longer guitar solo section of this song is one of my faves on this album. I had the impression that the sound at the venue was quite good, even where I was standing. The second song of the set was \u201cUnchained\u201d, the only song from their \u201cEP II\u201d (released in 2024) which Lovebites played on this tour. While I would have preferred to hear \u201cWhere\u2019s Identity\u201d or \u201cSomeone\u2019s Dream\u201d from this EP (there are great live-versions of these songs on the \u201cMade in Heaven\u201d-Blu-ray), I assume Lovebites picked this song because there\u2019s also an official music video of it.<\/p>\n\n\n\n

Click on the images to view them in full size.<\/strong><\/em><\/p>\n\n\n\n

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The third song \u201cBlazing Halo\u201d was the second one from the new album and the first of 3 live premieres at this concert, because unlike \u201cThe Castaway\u201d, it hadn\u2019t been performed at Lovebites\u2019 successful concert at Budokan earlier this year. I think it was one of those songs from the new album whose live performance most Lovebites-fans had been looking forward to, because it\u2019s the first Lovebites-song whose music was written by bassist Fami (together with Mao, who isn\u2019t an actual member of the band, but sometimes is involved in the songwriting) and features some cool bass-parts throughout the entire song including the solo-section. Not only is Fami an excellent bassist, but visibly having the time of her life on stage. She is one of the most slaphappy \u2013 double entendre intended! \u2013 and also tap-happy bassists in metal! (Makes one wonder what might have been if Metallica had opted for Les Claypool instead of Jason Newsted back then.)<\/p>\n\n\n\n

Next was \u201cLiar\u201d, the only song from Lovebites\u2019 debut album included in the setlist, starting with Miyako on keyboards \u2013 there wouldn\u2019t have been enough space on stage for a real piano. While there are several songs on Lovebites debut I like better, it\u2019s still a very good song, so no reason for me to complain.<\/p>\n\n\n\n

What followed was \u201cHoly War\u201d, the first of two songs from their third album \u201cElectric Pentagram\u201d included in the setlist and probably also one of their most popular songs, featuring three short triple-tapping parts (from both guitarists and the bassist) and the two moments of a concert in which Asami usually holds a note for the longest time (\u201cHoly Waaaaaaaaaaaaaar\u201d). Talking about Asami, she is a great frontwoman and one reactor called her a \u201cstage general\u201d, which seems quite fitting. While the live version of \u201cHoly War\u201d from Lovebites\u2019 concert in Tokyo from 2020 might be one of their most-viewed clips so far, I find the live version from Hellfest 2024 (from their \u201cMade in Hell\u201d-DVD\/Blu-ray) even more enjoyable to watch.<\/p>\n\n\n\n

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Already in the middle of the regular set, Lovebites played \u201cReaper\u2019s Lullaby\u201d, one of my two favourite songs from the new album, which is also the song with their highest bpm-rate so far and probably also their darkest song. Music-wise, it\u2019s Lovebites first Thrash Metal song to enter Black-Metal-territory, whereas the song \u201cDissonance\u201d on their previous album (which, unfortunately, was not included in the setlist) was their first Thrash Metal song to enter Death-(Metal-)territory, also only music-wise, of course! I find it impressive that a former Soul and R\u2019n\u2019B singer like Asami who hadn\u2019t heard any type of metal before she joined Lovebites 10 years ago, is now responsible for Lovebites\u2019 heaviest and most aggressive songs. As someone whose favourite subgenre is Thrash Metal, it warmed my heart to read that she especially likes Thrash Metal and that, while she wrote the music of \u201cReaper\u2019s Lullaby\u201d as well as \u201cDissonance\u201d together with guitarist Miyako, it was her who had approached Miyako with the idea to have \u201cReaper\u2019s Lullaby\u201d on this album.<\/p>\n\n\n\n

The live-performance of this song, also a premiere in Vienna, was definitely an absolute highlight for me and also the one which most other fans had been hoping for\/looking forward to the most! In this context, one has to point out that drummer Haruna\u2019s work and her stamina are absolutely outstanding! She may be tiny in size, but as regards her drumming, especially her cymbal-work, she is huge! What makes her especially fun to watch is the fact that it shows that she fully enjoys what she does. To understand what I mean, I recommend to check out the rather short clips she filmed of herself in action at different concerts (which are to be found on a well-known music-related platform), especially the one of the very end of their concert in Wacken this year, it\u2019s less than a minute long.<\/p>\n\n\n\n

As if to underline Haruna\u2019s stamina, \u201cReaper\u2019s Lullaby\u201d was followed by the fastest song on the previous album \u201cJudgement Day\u201d, namely \u201cSoldier Stands Solitarily\u201d, one of my five overall favourite songs by Lovebites.<\/p>\n\n\n\n

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The next song \u201cStand and Deliver (Shoot \u2018em Down)\u201d, the other song from their previous album included in the setlist, which starts with a cool bass-intro by Fami (which Lemmy might have approved of), is one of those songs to also get the audience involved, especially during the chorus-part. The same goes for \u201cRising\u201d, the first of three songs from their second album \u201cClockwork Immortality\u201d included in the setlist and in which Haruna also does some stick-twirls.<\/p>\n\n\n\n

The following song \u201cM.D.O.\u201d, also from \u201cClockwork Immortality\u201d, was my introduction to Lovebites when I first heard it on CD-sampler which had come along with a German metal magazine in autumn 2018. It got me hooked immediately, probably also because it\u2019s a Thrash Metal song (the only one on that album). While I like their Thrash Metal songs \u201cThe Hammer of Wrath\u201d, \u201cBreak the Wall\u201d, \u201cSet the World on Fire\u201d and \u201cDissonance\u201d better \u2013 together with \u201cSoldier Stands Solitarily\u201d they are my 5 overall favourite songs by Lovebites \u2013, I assume \u201cM.D.O.\u201d was chosen, because it also allows the crowd to shout out loud the chorus \u201cM.D.O.\u201d several times together with the entire band.<\/p>\n\n\n\n

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\u201cOne Will Remain\u201d, the last song on \u201cOutstanding Power\u201d and the third live premiere at this concert, marked already the end of Lovebites\u2019 regular set. Together with \u201cReaper\u2019s Lullaby\u201d, it\u2019s one of my two favourite songs on the new album, and because of its hymn-like character, I think it\u2019s not only a perfect song to close an album, but also to end the regular set of a concert.<\/p>\n\n\n\n

The first encore was \u201cWhen Destinies Align\u201d. The official music video of this song is one of Lovebites\u2019 most viewed clips and the fact that Lovebites just celebrated their 10th anniversary and this song is also about themselves \u2013 a part of the chorus says \u201cWe will always be together, Carry on, carry on, This is us, carry on\u201d \u2013 might explain why it had to be included, not to forget the great guitar solo section!<\/p>\n\n\n\n

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The final encore, introduced by Asami shouting \u201cWe the\u2026\u201d and the audience replying \u201cUnited!\u201d was \u2013 you already guessed it \u2013 \u201cWe the United\u201d (one of my two faves on \u201cClockwork Immortality\u201d), which is a perfect song to end a concert and also to let the audience participate, with the chorus: \u201cWe shall go forth, Prideful, we stand united, We can create miracles, Always, there\u2019s a way\u201d. The song has, as many of Lovebites\u2019 songs, a very positive\/encouraging message and somehow reminds me of one of my three favourite songs by Helloween, \u201cHow Many Tears\u201d (can it really be nearly 41 years since I heard it for the first time?), especially because of the latter\u2019s lines \u201cSo stand up for our human rights, Push back this pest of hate, Raise your voice, pass on the light, Unite! It\u2019s not too late\u201d. In my opinion, both songs are like siblings in spirit and also the long dual guitar solo\/harmonizing in \u201cWe the United\u201d immediately sounded Helloween-ish to my ears when I heard it for the first time.<\/p>\n\n\n\n

A Lovebites-concert isn\u2019t over unless you\u2019ve heard Asami screaming \u201cWe are Lovebites and we play Heavy Metal!\u201d (most likely inspired by Lemmy\u2019s \u201cWe are Mot\u00f6rhead and we play Rock\u2019n\u2019Roll!\u201d) after the final encore.<\/p>\n\n\n\n

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While a set of about 80 minutes might seem a bit short compared to the Lovebites\u2019 concerts in Japan which last, as one can tell by their numerous official live-DVDs\/Blu-rays, 30 to 45 minutes longer, one should bear in mind that they don\u2019t do Meet & Greets after their shows in Japan (unless you are Nuno Bettencourt, one of Midori\u2019s favourite guitarists), which take up to another 45 minutes.<\/p>\n\n\n\n

The main reason for me to buy the VIP-upgrade was not just to have my picture taken with the entire band \u2013 it\u2019s a beautiful memory, though one might say the pictures would look better without me -, but to get a chance to say at least a few words to the ladies and to give something back (in form of small presents), also an expression to say \u201cthank you\u201d, Bearing in mind that the time-regime is very strict and that you hardly get more than a minute, I should \u2013 in hindsight \u2013 have stuck to just one type of present for each Meet & Greet. After the concert in Vienna, I got at least enough time to hand over a birthday card, a photo arranged and taken by me (not of me!), to Asami (the other four also got one, but sealed in envelopes), who had had her birthday just about two weeks before the concert in Vienna, and to show them a picture of my Lovebites-Lego-minifigure-project, which they seemed to like. I had included a set of four photos of this project for each of them in my package. I didn\u2019t get any time, though, to say anything about the five CDs I had bought for them. There is, of course, always a chance they already know the albums in concern \u2013 though this would surprise me at least in the case of Sieges Even\u2019s \u201cLife Cycle\u201d and Fear of God\u2019s \u201cWithin the Veil\u201d \u2013 and\/or that they might not like them, but at least I did what I felt I had to do. Asami might enjoy Coroner\u2019s \u201cNo More Color\u201d, whereas I wonder what they think of Candlemass\u2019 \u201cEpicus Doomicus Metallicus\u201d and Solitude Aeturnus\u2019 \u201cInto the Depths of Sorrow\u201d. I most likely will never find out.<\/p>\n\n\n\n

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Something which didn\u2019t make any sense to me at the concert in Vienna was the fact that after about 25 minutes, a member of the staff of the venue suddenly told me that cameras were not allowed, while about half of the audience were filming either the entire show or at least parts of it with their smartphones. OK, some might only have taken pics with their smartphones. When I asked another member of the staff after the concert why taking pictures with a compact camera was not allowed, but filming and\/or taking pictures with smartphones was no problem, he told me that they had found out that people taking photos with cameras were selling these pics for private profit. Since I\u2019m so \u201cold school\u201d that my mobile phone only serves the original purpose of a phone, I\u2019m no expert on smartphones and the cameras they include, but I could imagine that at least some of the more expensive ones allow you to take pictures which are about as good as those taken with a compact camera. Thus if you take photos with these smartphones and sell them for private profit, it’s OK, but if you take pics with a compact camera just for your own, it’s not allowed! Luckily, when I was being told that cameras were not allowed, I had already managed to take a couple of really nice pictures (which are only meant to illustrate this review and not to be sold).<\/p>\n\n\n\n

It also seems that these rules differ from venue to venue. I didn\u2019t have any problems to take pics in Tilburg and Paris. The venue in Tilburg explicitly states on its website that taking pics with professional cameras is not allowed and that cameras with exchangeable lenses and reflex cameras fall under this definition, thus compact cameras do not.<\/p>\n\n\n\n

After the Meet & Greet in Vienna, I immediately headed back to my hotel and spent the next day travelling back home. This time, the train ride back took me 11 \u00bd hours instead of 10, because of a delay of the train from Vienna to Munich.<\/p>\n\n\n\n

My second Lovebites-concert on this tour in Tilburg was the closest one for me \u2013 a car ride of just about 90 minutes, thus I could drive back home right after the concert. While waiting in the queue for the VIP-check-in, I got into a conversation with other fans, some of them also from Germany, which is always a good thing, because it makes the time you spend waiting go faster. This time I got a place right in front of Miyako\u2019s monitor box.<\/p>\n\n\n\n

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The venue in Tilburg, Hall of Fame, was much smaller than the one in Vienna. I read it has a capacity of 400 people, and it was already sold out one or two months before the tour started. The setlist was exactly the same as in Vienna \u2013 only the festival appearances in Munich and at Wacken (I watched the livestream of the latter online) had a shorter setlist and also included a few songs not played at the club concerts, yet only one new song (\u201cThe Castaway\u201d). Unlike at the concert in Vienna, there was no illuminated backdrop of the album cover in Tilburg, thus Haruna remained hidden from my sight most of the time.<\/p>\n\n\n\n

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I\u2019d also say that the sound in Vienna had been a bit better, but this impression might be due to the fact that my position in Tilburg, not too far away from the loudspeaker on the right side (seen from the audience), wasn\u2019t a position to get an ideal sound.<\/p>\n\n\n\n

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Also for the Meet & Greet in Tilburg, I had brought along presents, but only got time to say a few words about one of them, some fossilized shark teeth I had found as a kid on a beach in Cadzand-Bad (The Netherlands), where I had spent several summer holidays back in the 70s.<\/p>\n\n\n\n

Finally, my third and last Lovebites-concert on this tour was the one in Paris. When I bought my ticket for the Eurostar, the trip to Paris was supposed to last about 4 hours. Unfortunately, the first five stops of the Eurostar were cancelled afterwards, thus I had to take another train to get to Cologne, from where the Eurostar was now to leave, which meant my train ride to Paris took about 5 \u00bd hours. In Paris, my hotel was within walking distance from the railway station and so was the concert venue, Le Backstage By the Mill (beside the famous Moulin Rouge), from my hotel.<\/p>\n\n\n\n

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VIP-check-in had been scheduled once again for 5 pm, but it was nearly half past 6 until we eventually got into the venue. Luckily, also here I got into a conversation with other fans, two of them from Switzerland, and a woman originally from northern Germany, but now living in France, so the time I spent waiting went by much faster. As the places right in front of the stage were already taken, I chose a place in a corner a few steps above the ground level right beside the stage where one could also sit down.<\/p>\n\n\n\n

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Sound-wise, it was not exactly the best choice, since my position was now nearly directly under the loudspeaker, but I had a very good view from the side of the stage \u2013 only to see Haruna, I had to bend forward. I also had a conversation with a German guy I recognized from the concert two days before in Tilburg. The capacity of the venue was about the same as in Tilburg and it was also sold out before the tour began, though a bit later then Tilburg.<\/p>\n\n\n\n

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The setlist was once again the same. Out of the three concerts I attended I\u2019d say that the one in Paris was the one with the most enthusiastic reactions. After Lovebites had finished their final encore, the audience started chanting \u201cOl\u00e9, ol\u00e9, ol\u00e9, ol\u00e9, Lovebites, Lovebites!\u201d for about 1 or 2 minutes, also encouraged by Mr. Sugiyama who was filming this. It wouldn\u2019t surprise me if this part should appear in a documentary part about this European tour on a live-DVD\/Blu-ray in the future. I know from the footage of Lovebites\u2019 European tour in 2024, that this chant was also to be heard at least at one concert on that tour. Already during the regular set, after Asami had announced that there were only a few songs left to play, someone from the audience yelled: \u201cTen more songs!\u201d While surely no-one in the audience would have objected, I do understand why this wish could not be granted.<\/p>\n\n\n\n

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Even though there was luckily no heat dome over Paris on that day \u2013 temperatures outside were around 30\u00b0C \u2013 and there was air condition inside the venue, it did get warmer during the concert and I don\u2019t know how warm it got on the stage. They did have some fans on the stage \u2013 not the stagediving type, but the ones to offer a slight breeze -, but it still might have been hot, probably especially for Miyako (because of her outfit).<\/p>\n\n\n\n

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Even though Christmas was still a few months away, at the final Meet & Greet (for me) on this tour, Lovebites got a little Christmas-package including a Christmas-card (a Christmas-themed photo I had arranged) and a female Christmas-elf (from a Lego minifigure-series a few years ago) for each member as well as my overall favourite Christmas-album \u201cDesemberbarn\u201d by my favourite non-metal singer\/songwriter Kari Bremnes from Norway and the Swedish singer\/actor Rikard Wolff (RIP). There was, unfortunately, no time left to say anything about the extras for Miyako \u2013 let alone show them to her \u2013, but I assume it\u2019s an absolute no-brainer that anything Star Wars-related (in this case, among other things, two different Darth Vader tin boxes from a Lego Star Wars magazine) and Gary Moore-related (a few interviews from \u201cancient\u201d Kerrang!-magazines from the eighties) is meant for Miyako.<\/p>\n\n\n\n

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For the picture with the band, I had taken Bj\u00f8rkisen with me, the green creature Monika Edvardsen (former vocalist of Atrox and Tactile Gemma) had made for me about 20 years ago in exchange for some books on art I had sent her. While I had held him for the pics in Vienna and Tilburg, Haruna got to hold him for the picture in Paris. I think she said \u201ckawaii\u201d (one of three Japanese words I understand), when she saw Bj\u00f8rkisen for the first time after the concert in Lindau two years ago, and since Haruna out-kawaiis anyone else when she enters a room, I thought that her holding Bj\u00f8rkisen was a fitting combination.<\/p>\n\n\n\n

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After the Meet & Greet, the German woman I had already met before the concert and I sat together for another 30-45 minutes and had an interesting and nice conversation, also about special moments at concerts of other favourite artists we had experienced in the past. It seemed we both were similarly enthusiastic about the bands\/artists we love. After that, it was back to my hotel and the next day back to Germany.<\/p>\n\n\n\n

I can safely say that right now, Lovebites are the most enjoyable metal band for me, especially as regards their live performances, and I\u2019m already looking forward to their next European tour.<\/p>\n\n\n\n

– Burkhard – 08\/2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Nowadays, I can count the number of artists I\u2019m really interested in seeing\/hearing live probably on less than two hands. As far as metal bands are concerned, Lovebites are at the very top. Unfortunately, I first discovered them about two weeks after they had finished their first European tour in<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[110,114,109,111,112],"class_list":["post-1294","post","type-post","status-publish","format-standard","hentry","category-random-snippets-of-pop-culture","tag-lovebites","tag-paris","tag-tilburg","tag-vienna","tag-wien"],"_links":{"self":[{"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/posts\/1294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/comments?post=1294"}],"version-history":[{"count":16,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/posts\/1294\/revisions"}],"predecessor-version":[{"id":1386,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/posts\/1294\/revisions\/1386"}],"wp:attachment":[{"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/media?parent=1294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/categories?post=1294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zine-with-no-name.de\/zwnnblog\/wp-json\/wp\/v2\/tags?post=1294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}